By: Sarah Anghuwo

“Our lives begin to end the day we become silent about things that matter.” – Martin Luther King, Jr.

As an arts advocate, it’s truly disheartening to witness the gradual decline of the arts industry.

Often, when we ponder art, our mindset narrows to predominantly music, becoming the focal point. Unfortunately, this perspective has led a significant number of Namibians to overlook the diverse facets of art.

Consequently, specific artistic institutions find themselves struggling, with some even facing closure, compelling them to heavily rely on sponsorships for survival.

Upon making this realisation, I find myself contemplating the future prospects of us, the youth engaged in or planning to pursue art and culture-related courses.

The concern lies in where our paths will lead concerning the quest for jobs in the realm of art and culture. Unfortunately, the absence of a dedicated industry leaves us with limited opportunities to apply our qualifications effectively.

Even if a handful of us manage to secure positions, the struggle to embody the mission of our respective institutions remains a challenge.

The transformation of art community centres into colleges and the lack of recognition for art galleries are deeply concerning developments.

These circumstances prompt significant questions about the necessity of having a Ministry of Education, Arts and Culture. Based on my observations, the youth, in particular, often associate the Ministry  with its integration into the education system. However, it’s essential for them to grasp the distinction between the Ministry of Education, Arts and Culture.

Though separate entities, there exists a unique connection that justifies their amalgamation into a single ministry. This connection is driven by the aim to infuse our artistic and cultural treasures—elements we hold dear as Namibians—into the educational system.

Beyond this, it’s important to view these two areas as distinct facets, each with its own identity and significance.

I grasp the fact that, as a nation, we’ve begun to favour certain industries over others. However, how much longer will we intentionally relegate the artistic and cultural industry to the background?

A wise individual once remarked, “No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.” – Heraclitus. In light of this insight, it’s evident that a change in perspective is long overdue.

Particularly among the youth, it’s imperative to reconsider how we can reignite the artistic industry, an industry, which seems to have lost its vitality, demands a fresh approach. If not us, then who will be the driving force behind its revival?